I recall when Nijla
Mu’min’s film Jinn (2018) hit the
festival circuit last year. Last night, I finally sat down and watched it on Amazon Prime. In thinking about the post I was preparing on Naz +
Maalik (2016), there was a particular line in the film that stuck with me.
When the protagonist asked her Muslim classmate if it was “hard” being Muslim
in this current climate, he responded, “Not harder than being Black.” This line
pretty much sums up my argument in some of my previous posts, emanating from
Simone Browne’s central thesis regarding “naming the absented presence of
Blackness” in discourses surrounding Islamophobic surveillance.[1]
Unlike Naz + Maalik, it’s refreshing to see
films actually by Black (Muslim) content creators such as Nijla Mu’min’s Jinn (2018), Qasim Basir’s Mooz-Lum (2011), and Sultan Sharrief’s Bilal’s Stand (2010) that clearly name this absented presence.
These more recent popular
articles (from VICE and The Establishment) also discuss issues related to Black
Muslims having “been targeted by
both government surveillance and the police state since America’s inception.”[2] While the articles do not draw all of the parallels from various directions (which were indicated in one of my previous blog posts on H. Rap Brown across SNCC, the Black Panther Party, and the Dar ul-Islam Movement), they do provide some insights.
--Kam
[1] Simone Browne, Dark Matters : On the
Surveillance of Blackness (Durham, [North Carolina] ; Duke University
Press, 2015), 12–13.
[2] Leila Ettachfini, “Many U.S. Prisons Deny
Muslim Inmates Halal Food and Proper Prayer,” VICE, July 26, 2019,
https://www.vice.com/en_us/article/9kxeyv/muslim-inmates-us-prisons-halal-food-and-prayer.
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